Barthe: A Life in Sculpture
| Author | : | |
| Rating | : | 4.73 (667 Votes) |
| Asin | : | 1604730927 |
| Format Type | : | paperback |
| Number of Pages | : | 256 Pages |
| Publish Date | : | 2016-12-12 |
| Language | : | English |
DESCRIPTION:
He also endured difficulties as a gay, Roman Catholic, Creole sculptor working during the nation's post-World War II era. Louis, Mississippi, Barthé's art brought him out of poverty. At the height of his fame, he was often criticized for not talking about injustices African Americans faced. Much of Barthé's biography is recorded here for the first time in tandem with analyses and interpretations of his sculpture. Born to Creole parents in Bay St. He expected his art to speak not only for itself, but also for him. His accessible naturalism led to unprecedented celebrity for an artist during the 1930s and 1940s. He fled the United States for an expatriate's life in Jamaica only to learn that, as an artist and a black man, he could not be accepted on his own terms, and there was no such thing as a perfect home. After four years of academic training at the School of the Art Institute of Chicago, Barthé reaped the benefits of the 1920s New Negro Arts Renaissance. He gave his black subjects in particular an intensity and sensuality that attracted important European American patrons and the press. Barthé: A Life in Sculpture reveals the breadth of Barthé's oeuvre through readings of his figurative masterworks that attest to accomplishments in a life lived well beyond race.. Richmond Barthé (1901-1989) was the first modern African American sculptor to achieve real critical succ
After four years of academic training at the School of the Art Institute of Chicago, Barthé reaped the benefits of the 1920s New Negro Arts Renaissance. Louis, Mississippi, Barthé's art brought him out of poverty. Born to Creole parents in Bay St. Much of Barthé's biography is recorded here for the first time in tandem with analyses and interpretations of his sculpture. His accessible naturalism led to unprecedented celebrity for an artist during the 1930s and 1940s. From the Publisher Richmond Barthé (1909-1989) was the first modern African American sculptor to achieve real critical success. At the height of his fame, he was often criticized for not talking about injustices African Americans faced. Barthé: A Life in Sculpture reveals the breadth of Barthé's oeuvre through readings of his figurative masterworks that attest to accomplishments in a life lived well beyond race. He gav
Vendryes does a wonderful job with an artist who repays her efforts Sculptors like Barthe and Richard Hunt deserve all the study and critical acclaim they get. They came up in times that were everything from indifferent to outright hostile to black artists, and on their own terms they triumphed. The book tells a fascinating story in a way that places the magnitude of the achievement and the humanity of the man in full context.. Francois Arouet said Perfect sale. Great book in an important figure in the HR!
She has published in International Review of African American Art and elsewhere.Jeffrey C. Independent scholar Margaret Rose Vendryes has taught art history and African American studies at York College, Princeton University, and the Graduate Center, City University of New York. Stewart, professor of history at George Mason University, is the author of numerous articles and books, including Paul Robeson: Artist and Citizen.